American Cinematographer 2009-02American Cinematographer 2009-02, Movie Magazines, American Cinematographer Magazine Collection PDF MEGAPACK
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AMERICAN CINEMATOGRAPHER • FEBRUARY 2009 • CORALINE; THE SPIRIT; HE’S JUST NOT THAT INTO YOU; DONALD MCALPINE, ASC, ACS • VOL. 90 NO. 2 © 2008 Sony Electronics Inc. All rights reserved. Reproduction in whole or in part without written permission is prohibited. Features and speci cations are subject to change without notice. Sony, CineAlta, HDNA, the HDNA logo, XDCAM and XDCAM EX are trademarks of Sony. Designed with the best ideas in the industry. Yours. What made us offer interchangeable lenses and Genlock input on the PMW-EX3 XDCAM EX ™ camcorder? Why does our MVS-8000G switch effortlessly among 720p, 1080i and 1080p? How did the F35 CineAlta ™ camera come to t so beautifully into lm-style shoots? Why does our PDW-F355 XDCAM ® HD camcorder include over- and undercranking? And how come the HDC-1500 large lens adapter attaches in just seconds? Because you told us what you wanted. And we listened. click: sony.com/prohdna 5600°K Daylight Balanced 4200°K 3200°K Tungsten Balanced NEW! Finally, ultimate color control right at your ngertips. A soft, high output light that lets you quickly dial up any color – from cool white daylight to warm white tungsten. The new Litepanels ® 1x1 Bi-Color variable color dial Litepanels 1x1 Bi-Color: Anywhere. Anytime. Any color. 1x1 Bi-Color Features: Dial-up variable color Dial-up brightness Runs on battery or AC 1’x1’ square & 1.75” thick Cool to the touch Ultra-lightweight, 3 lbs. (1.36 kg) Integrated DMX Innite dimmer dial Preset or variable color settings Snap-on battery option for wireless lighting ® Makers of the award-winning Micro, MiniPlus, 1x1 & LED Ringlites ™ . ® 818 752 7009 info@litepanels.com WWW.LITEPANELS.COM lets you adjust color temperature instantly so you can adapt to different shooting conditions and skin tones on the y. Litepanels F E BRUARY 2 0 0 9 VOL . 9 0 NO. 2 The International Journal of Film & Digital Production Techniques On Our Cover: Coraline crawls through a portal to the Other World in the 3-D stop-motion feature Coraline , shot by Pete Kozachik, ASC. (Frame grab courtesy of Laika, Inc., and Focus Features.) Features 26 2 Worlds in 3 Dimensions Pete Kozachik, ASC details his strategies for the 3-D stop-motion movie Coraline 40 Dead Reckoning Bill Pope, ASC blends old and new tricks to honor the origins of The Spirit 40 52 Embracing Anamorphic John Bailey, ASC exploits the widescreen format on the ensemble comedy He’s Just Not That Into You 60 Citizen of the World Donald McAlpine, ASC, ACS receives the ASC International Award Departments 8 Editor’s Note 10 Short Takes: Circus 14 Production Slate: The International Reverie 68 Post Focus: Restoring Manhatta 72 New Products & Services 82 International Marketplace 83 Classified Ads 84 Ad Index 86 Clubhouse News 88 ASC Close-Up: Peter Suschitzky 52 60 Visit us online at www.theasc.com [ Pobierz całość w formacie PDF ] |
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