American Cinematographer 2009-10American Cinematographer 2009-10, Movie Magazines, American Cinematographer Magazine Collection PDF MEGAPACK
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AMERICAN CINEMATOGRAPHER OCTOBER 2009 MAD MEN, BRONSON, BRIGHT STAR, SURROGATES VOL. 90 NO. 10 New York | Chicago | Los Angeles Your Trusted Resource for Twenty Years Since opening our doors in 1989, we’ve been dedicated to providing the most innovative acquisition tools in the industry. Cameras have certainly evolved over the years and we’ve changed along with them, expanding our service offerings as technology and industry trends have dictated. One thing, however, has always remained consistent at Abel: our commitment to serving the needs of our clients. We’re proud to have worked with you for the last twenty years and look forward to bringing you what’s next. www.abelcine.com/20years MEMBER PORTRAI T Dennis L. Smith, ASC hile shooting news and documentaries for ABC in the Seventies, I discovered that the images I filmed had a profound effect on the audience’s perception of the story. My point of view was a key component in the film. “ With American Cinematographer I found my first insight into the minds of my heroes — among them ASC members Conrad Hall, Haskell Wexler and Owen Roizman, whose storytelling styles had a profound impact on me. The directors of photography spoke a language I knew but thirsted to learn more about. “With its perspective on the combination of style, technique and philosophy that goes into a film, AC has been an invaluable tool that inspires me to this day. I’m so happy to still be a storyteller!” —Dennis L. Smith, ASC TO SUBSCRIBE BY PHONE: Call (800) 448-0145 (U.S. only) (323) 969-4333 or visit the ASC Web site WWW. THEASC. COM “W I’m a big believer in filters. As soon as I discovered Schneider’s DigiCon I knew it was the magic that “The Bill Engvall Show” deserved. It allows me to create a much more filmic look. I no longer have to reign in the highlights. And I can open up the blacks. I can light bolder – 2 to 3 stops now becomes 4 or 5. Our kitchen has always been a challenge—too flat. Not with the DigiCon. We have depth and separation. Thanks to the DigiCon, when we do exteriors the pavement can be hotter and the foliage plays nicely. We can really get a sense of location. My engineer loves what he sees on the monitor. And so does our colorist. The DigiCon allows us more of a range to play with and to create a stronger, richer image. Thanks to Schneider’s DigiCon, I can now create the beautiful image that “The Bill Engvall Show” deserves. Director of Photography George Mooradian is a three time Emmy Award nominee for the hit series According to Jim . Before moving into the multi-camera world, he was cinematographer on over a dozen movies. He credits operating for high-profile cinematographers such as Vittorio Storaro, ASC (Dick Tracy) as the foundation for the feature look he brings to his sit-com projects. Mooradian is now in his third season of The Bill Engvall Show . B + W Century Schneider For George's DigiCon chat visit: www.schneideroptics.com Phone: 818-766-3715 800-228-1254 It Starts with the Glass tm OCT OBE R 2 0 0 9 VOL . 9 0 NO. 1 0 The International Journal of Film & Digital Production Techniques On Our Cover: Betty and Don Draper (January Jones and Jon Hamm) cut fine Sixties figures in Mad Men, shot by Christopher Manley, ASC. (Photo by Frank Ockenfels, courtesy of AMC.) Features 30 Pitch Perfect Christopher Manley, ASC sells the drama on Mad Men 44 Hard Time Larry Smith, BSC hits with both fists for Bronson 58 A Lyrical Love Greig Fraser brings passion to Bright Star 44 66 Vicarious Thrills Oliver Wood has out-of-body experience on Surrogates Departments 8 Editor’s Note 10 President’s Desk 12 Short Takes: The Maine’s “Into Your Arms” 18 Production Slate: The National Parks: America’s Best Idea Georgia O’Keeffe 76 Post Focus: Red Dwarf: Back to Earth 82 New Products & Services 88 International Marketplace 90 Classified Ads/Ad Index 91 Clubhouse News 92 ASC Close-Up: Lowell Peterson 58 66 Visit us online at www.theasc.com [ Pobierz całość w formacie PDF ] |
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