, American Cinematographer 2009-12, Movie Magazines, American Cinematographer Magazine Collection PDF MEGAPACK 

American Cinematographer 2009-12

American Cinematographer 2009-12, Movie Magazines, American Cinematographer Magazine Collection PDF MEGAPACK
[ Pobierz całość w formacie PDF ]
THE INTERNATIONAL JOURNAL OF FILM & DIGITAL PRODUCTION TECHNIQUES SINCE 1920
$5.95
Canada $6.95
BEST PICTURE
a
serious
man
O
NE OF THE
C
OEN BROTHERS

BEST AND MOST PERSONAL FILMS
.
B
EAUTIFULLY PHOTOGRAPHED BY
R
OGER
D
EAKINS
.I
T

SAMOVIEMITZVAH
.”
-L
OU
L
UMENICK
, NEW YORK POST
For up-to-the-minute screening information go to: Awards.FilmInFocus.com
© 2009 Focus Features. All Rights Reserved.
BEST CINEMATOGRAPHY
ROGER DEAKINS, ASC, BSC
SERIOUSLY.

.
 is the
first-ever
stop-motion animated
feature to be conceived and shot entirely in Stereoscopic 3-D.

A VISUAL MARVEL.
Gorgeous to watch in all its dazzling
stop-motion animation splendor.
‘Coraline’s’ exquisite images have
an undeniable whimsical appeal,
and director Henry Selick’s
imagination is indisputable.”
–Claudia Puig,
USA Today
For Your Consideration In All Categories Including
B
EST
A
NIMATED
F
EATURE
Directed By Henry Selick
B
EST
C
INEMATOGRAPHY
For up-to-the-minute screening information go to:
Awards.FilmInFocus.com
Pete Kozachik, ASC
 “On ‘The Office,’ our shots must
appear real – documentary style – as
if we are capturing the moment. That
real feel grounds the subject matter for
our audience. But ‘real’ implies an
imperfect look like blown-out windows.
And, when you’re working in HD,
‘blow out’ can look horrible. That’s
where Schneider HD Classic Softs

are
my go-to tool. They turn a blow out
into a nice bloom.
And because HD is so unforgiving,
I always use a quarter or a half HD
Classic Soft on our actors. This takes
the edge off the HD and gives them
a look that is both real and attractive
at the same time.
I use filters to help with things I
can’t control so I choose the matchless
quality of Schneider glass. Whether I’m
the Director or the Cinematographer,
Schneider filters make the
good things great and
the bad things better.”
Director and Cinematographer Randall Einhorn
is a two-time Emmy nominee for his work on
the series
Survivor
. He has shot and/or directed
over 113 episodes of
The Office
and directed
episodes of series including
Modern Family
,
It’s Always Sunny in Philadelphia
and
Pa r k s a n d
Recreation,
as well as numerous commercials
and documentaries.
B
+
W

Century

Schneider
For Randall’s HD Classic Softs chat, visit:
www.schneideroptics.com

Phone: 818-766-3715

800-228-1254
It Starts with the Glass
tm
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