American Cinematographer 2010-06American Cinematographer 2010-06, Movie Magazines, American Cinematographer Magazine Collection PDF MEGAPACK
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AMERICAN CINEMATOGRAPHER JUNE 2010 ROBIN HOOD – PRINCE OF PERSIA – MICMACS – THE WHITE STRIPES UNDER GREAT WHITE NORTHERN LIGHTS VOL. 91 NO. 6 AMERICAN CINEMATOGRAPHER JUNE 2010 ROBIN HOOD – PRINCE OF PERSIA – MICMACS – THE WHITE STRIPES UNDER GREAT WHITE NORTHERN LIGHTS VOL. 91 NO. 6 See and be seen. Introducing Sony’s VideON ™ online network, a video site designed by professionals for professionals. View creative content from DPs and producers, sample reels, tips and tricks, interviews, tech updates, product tutorials, and much, much more. If you’re an indie or documentary moviemaker; a commercial, feature or TV director; a videographer or anyone else using Sony pro gear, you should be a part of this site. See and share great work, learn new techniques and connect with others in the Sony professional community. Be inspired, inspire others… believe that anything you imagine, you can make real. NOW PLAYING click: sony.com/videon to see and be seen. © 2010 Sony Electronics Inc. All rights reserved. Reproduction in whole or in part without written permission is prohibited. Features and speci cations are subject to change without notice. Sony, “make.believe” and their respective logos, and VideON are trademarks of Sony. “On ‘The Office,’ our shots must appear real – documentary style – as if we are capturing the moment. That real feel grounds the subject matter for our audience. But ‘real’ implies an imperfect look like blown-out windows. And, when you’re working in HD, ‘blow out’ can look horrible. That’s where Schneider HD Classic Softs ™ are my go-to tool. They turn a blow out into a nice bloom. And because HD is so unforgiving, I always use a quarter or a half HD Classic Soft on our actors. This takes the edge off the HD and gives them a look that is both real and attractive at the same time. I use filters to help with things I can’t control so I choose the matchless quality of Schneider glass. Whether I’m the Director or the Cinematographer, Schneider filters make the good things great and the bad things better.” Director and Cinematographer Randall Einhorn is a two-time Emmy nominee for his work on the series Survivor . He has shot and/or directed over 113 episodes of The Office and directed episodes of series including Modern Family , It’s Always Sunny in Philadelphia and Pa r k s a n d Recreation, as well as numerous commercials and documentaries. B + W • Century • Schneider www.schneideroptics.com • It Starts with the Glass tm J UNE 2 0 1 0 VOL. 9 1 NO. 6 The International Journal of Motion Imaging On Our Cover: Rabble-rousing archer Robin Longstride (Russell Crowe) leads an uprising in Robin Hood, shot by John Mathieson, BSC. (Photo by David Appleby, courtesy of Universal Studios.) FEATURES 30 Slings and Arrows John Mathieson, BSC sets up camp in Sherwood Forest on Robin Hood 42 Desert Storm John Seale, ASC, ACS faces epic undertaking with Prince of Persia 52 Very French Revenge Tetsuo Nagata, AFC leads crack team on Micmacs 64 Painting Towns White Giles Dunning captures rock tour for The White Stripes Under Great White Northern Lights 42 DEPARTMENTS 8 Editor’s Note 10 President’s Desk 12 Short Takes: Land and Bread 18 Production Slate : Winter’s Bone Harry Brown 72 Post Focus: Frozen 78 Tricks of the Trade: Red’s False Color 80 New Products & Services 92 International Marketplace 94 Classified Ads/Ad Index 96 ASC Membership Roster 98 Clubhouse News 100 ASC Close-Up: John Schwartzman 52 64 — VISIT WWW.THEASC.COM TO ENJOY THESE WEB EXCLUSIVES — DVD Playback: The Natural Rock ’n’ Roll High School/Suburbia Bigger Than Life [ Pobierz całość w formacie PDF ] |
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