, ALTO ACL4 (EN), INSTRUKCJE OBSŁUGI SPRZĘTU, PO ANGIELSKU (EN) 

ALTO ACL4 (EN)

ALTO ACL4 (EN), INSTRUKCJE OBSŁUGI SPRZĘTU, PO ANGIELSKU (EN)
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User's Manual
ACL4
QUAD COMPRESSOR/LIMITER
LTO
R
www.altoproaudio.com
Version 1.1 September 2005
English
SAFETY RELATED SYMBOLS
Fuse
To prevent fire and damage to the product, use only
CAUTION
RISK OF ELECTRIC SHOCK
DO NOT OPEN
the recommended fuse type as indicated in this
manual. Do not short-circuit the fuse holder. Before
replacing the fuse, make sure that the product is
OFF and disconnected from the AC outlet.
This symbol, wherever used, alerts you to the pre-
sence of un-insulated and dangerous voltages with-
in the product enclosure. These are voltages that
may be sufficient to constitute the risk of electric
shock or death.
Protective Ground
Before turning the product ON, make sure that it is
connected to Ground. This is to prevent the risk of
electric shock.
Never cut internal or external Ground wires. Likewise,
never remove Ground wiring from the Protective
Ground Terminal.
This symbol, wherever used, alerts you to impo-
rtant operating and maintenance instructions.
Please read.
Protective Ground Terminal
Operating Conditions
AC mains (Alternating Current)
Always install in accordance with the manufacturer's
instructions.
To avoid the risk of electric shock and damage, do
not subject this product to any liquid/rain or moisture.
Do not use this product when in close proximity to
water.
Do not install this product near any direct heat source.
Do not block areas of ventilation. Failure to do so
could result in fire.
Keep product away from naked flames.
Hazardous Live Terminal
ON:
Denotes the product is turned on.
OFF:
Denotes the product is turned off.
WARNING
Describes precautions that should be observed to
prevent the possibility of death or injury to the user.
CAUTION
Describes precautions that should be observed to
prevent damage to the product.
IMPORTANT SAFETY INSTRUCTIONS
Disposing of this product should not be
placed in municipal waste and should be
Separate collection.
Read these instructions
Follow all instructions
Keep these instructions. Do not discard.
Heed all warnings.
Only use attachments/accessories specified by the
manufacturer.
WARNING
Power Supply
Ensure that the mains source voltage (AC outlet)
matches the voltage rating of the product. Failure
to do so could result in damage to the product and
possibly the user.
Unplug the product before electrical storms occur
and when unused for long periods of time to reduce
the risk of electric shock or fire.
Power Cord and Plug
Do not tamper with the power cord or plug. These are
designed for your safety.
Do not remove Ground connections!
If the plug does not fit your AC outlet seek advice from
a qualified electrician.
Protect the power cord and plug from any physical
stress to avoid risk of electric shock.
Do not place heavy objects on the power cord. This
could cause electric shock or fire.
External Connection
Always use proper ready-made insulated mains
cabling (power cord). Failure to do so could result
in shock/death or fire. If in doubt, seek advice from
a registered electrician.
Cleaning
Do Not Remove Any Covers
Within the product are areas where high voltages
may present. To reduce the risk of electric shock do
not remove any covers unless the AC mains power
cord is removed.
Covers should be removed by qualified service
personnel only.
When required, either blow off dust from the product
or use a dry cloth.
Do not use any solvents such as Benzol or Alcohol.
For safety, keep product clean and free from dust.
Servicing
Refer all servicing to qualified service personnel only.
Do not perform any servicing other than those instruc-
tions contained within the User's Manual.
No user serviceable parts inside.
1
PREFACE
Dear Customer:
Thanks for choosing LTO ACL4 Compressor/Limter/Gate and thanks for choosing one of the results of LTO AUDIO TEAM
job and researches.
For our LTO AUDIO TEAM, music and sound are more than a job... are first of all passion and let us say... our
obsession!
We have been designing professional audio products for a long time in cooperation with some of the major brands in
the world in the audio field.
The LTO line presents unparalleled analogue and digital products made by Musicians for Musicians in our R&D
Centers in Italy, Netherlands, United Kingdom and Taiwan. The core of our digital audio products is a sophisticated
DSP (Digital ound rocessor) and a large range of state of the art algorithms which have been developed by our
Because we are convinced you are the most important member of LTO AUDIO TEAM and the one confirming the
quality of our job, we like to share our work and our dreams with you, paying attention to your suggestions and your
comments. Following this idea we create our products and we will create the new ones! From our side, we guarantee
you and we will guarantee you also in future the best quality, the best fruits of our continuous researches and the best
prices.
Our LTO ACL4 is the result of many hours of listening and tests involving common people, area experts, musicians and
technicians. The results of this effort is that you can acquire an extremely efficient and universal dynamics processor.
It contains several new circuits design which make the unit an ultimate dynamic processor: intelligent program
recognition, Smart Expander/Gate and super low distortion VCA (Voltage Controlled Amplifier).
Nothing else to add, but that we would like to thank all the people that made the LTO ACL4 a reality available
to our customers, and thank our designers and all the LTO staff, people who make possible the realization of products
containing our idea of music and sound and are ready to support you, our customers, in the best way, conscious that
you are our best richness.
Thank you very much.
LTO AUDIO TEAM
2
SP
Software Team for many years.
TABLE OF CONTENTS
1. INTRODUCTION......................................................................................................................................4
2. THE CONCEPT BEHIND........................................................................................................................4
2.1 Some technical stuff
2.2 Voltage Controlled Amplifier (VCA)
2.3 Inputs
3. CONTROL ELEMENTS .........................................................................................................................6
4.
READY TO ROLL?
.................................................................................................................................7
4.1 Compressor Section
4.2 Peak Limiter Section
5. INSTALLATION AND CONNECTION.....................................................................................................9
......
5.1 Mains Connection
5.2 Audio Connection
5.3 Rack Mounting
6. TECHNICAL SPECIFICATIONS .................................................................................................................................11
7. WARRANTY .............................................................................................................................................................12
3
1. INTRODUCTION
You are now the Owner of an
LTO
ACL4 Quad Compressor/Limiter. The
ACL4
is a very powerful dynamic
processor.
We have included in it with several innovative circuit designs that make the
ACL4
a very versatile
processor: smart and
fast recognition of the program and very low distortion Voltage Control Amplifier (VCA).
Feature List:
Smart Knee Control Compressor (SKC)
Soft knee or hard knee? This is the question! SKC combines both: In the "soft knee" mode you can control the program
material so that the compression will be the most musical and inaudible. On the other hand, the hard knee function
is used for better precision, limiting signal peaks with precision and will allow you to add creativity to the dynamic
processing. This function also allows you to protect other equipment in the signal loop against distortion.
The AUTO Function
Thanks to the AUTO function attack and release times of the program materials are automatically analysed in your
ACL4 unit. Then the dynamic range of the program is heavily compressed in a very musical way so that there will
not be any audible breathing or pumping effect.
Smart Gain Control peak limiter (SGC)
This function includes two important functions: Clipper and program limiter. The peak limiter will be activated above
a certain threshold that is adjusted by the User and will radically restrict signal peaks. But what about if the threshold
of the Limiter is surpassed only for a few milliseconds? SGC will turn on automatically and reduce the output signal
so that you will not hear any distortion. Smart, isn't it? The SGC proves to be very efficient in loudspeaker protection
and to reduce undesired peaks in digital situations.
2. THE CONCEPT BEHIND
2.1 Some technical stuff
Good old analog technology: It will allow us to manufacture audio equipment with a very high dynamic range:
up to 125 dB. But the dynamic range of digital equipment is more or less 25 dB. A further reduction in dynamic
range occurs with the use of tape recorders and/or vinyl records.
2.1.1 It is not just Music
Yes, a piece of electronic will produce some noise. When the current flows through a conductor this will generate
a certain movement of the electrons and therefore: noise. And throughout the whole spectrum of audio. Imagine
what happens when this inherent noise will be amplified. Yes, today one can use "low-noise"components but still
such components will present a certain level of residual noise. For example with tape recorders it will not be possible
to get an S/N (signal to noise) ratio better than 70dB. This level would not be accepted today by the increased
sensitivity of the listeners. It is possible to improve the performance of a tape recorder: Absolutely no!
2.1.2 Introducing Audio Dynamics
The human ear can detect the noise generated by falling leaves as well as the roar generated by the taking off
space shuttle. Unfortunately no analog, nor digital device can reproduce such wide spectrum. Please look at Chart.
1 and you will see the difference when dynamic capacity of various devices compare to the human ear. More problems
occur when handling high level signals and low level signals. When you reach the high level limit you may incur in
distortion because of the dynamic range of the instrument therefore a certain "reserve" must be maintained to
avoid distortion. This reserve is known as "headroom" and it is usually set at 10-20 dB. Would not be easier just to
reduce the operating level? Yes it would but you would put low level music signals at the same level of the basic
noise floor so the overall quality of the signal would be highly deteriorated. Please look at Chart. 2 and note the
Usable dynamic range (including headroom) versus high level distortion generated by peaks, and Noise floor level.
4
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